From her short stint as an ‘Advert Woman’ in the 1967 film Herostratus (her first credited film role!), we have been blessed with the video below. Is anyone else a tiny bit convinced that Jennifer Lawrence is simply Helen Mirren, time-travelling for the lolz?
There are some absolute gems in the Boeing archives and – though I have always loved flying – I would trade any of my in-air memories for a shot at experiencing a 747 flight in the 1970s.
While the 1930s Boeing Clipper had everything from a powder room to a dining room (pictured in black and white, below), things got phenomenally jazzy in the Seventies. In the vintage American Airlines 747 Coach Lounge Commercial below, NBC’s Chet Huntley pimps out the airline’s Wurlitzer piano bar while The Fonz offers a fellow traveller a light…
It’s all very smooth…and very Don Draper.
For First Class, the Boeing 747’s small upper deck was turned into a cocktail bar in the sky; all Martinis, steaks, and ultra-modern swivel chairs. On Continental Airlines, there was even a pub.
Please take a moment to listen to Waltz of The Flowers while you receive a tour of the Boeing 747 100 Series’ First Class deck…
This may be one of my favourite Throwback Thursday finds in quite some time. Found in the August 1925 issue of ‘Popular Science Monthly‘, the article above – May Live to See – suggests that city dwellers would be living on four levels after 25 years had passed. Subtitled under ‘How You May Live and Travel in the City of 1950′, I certainly don’t disagree with the idea of a pedestrian-only level of land or a city full of spiral escalators.
Serious talk, guys. It’s coming up to 100 years later. Where my spirals at?
Though actresses have to worry about the incredibly high quality of HD film picking up their every imperfection these days, the ladies of film had an entirely different problem in the 1920s. Because of the price, Orthochromatic film stock was the standard during the birth of film but was rather insensitive to red and yellow light on the spectrum. The processes used to correct this insensitivity to red and yellow in post-production would make it oversensitive to blue and violet. Make-up wise, this means that actors and actresses had to be made up with highly exaggerated and contradictory colors in order to look natural on film. Hence the hooker face.
In equal parts admiration and judgement (times aint a-changing, eh?), The Vault has resurfaced this “Best Figure in Hollywood” article from a 1931 issue of Photoplay magazine. Though beautiful 26-year-old Mexican crossover actress Dolores Del Rio was eventually awarded the Best Figure title, the magazine goes as far as listing the ages, weights, and measurements of twenty-one leading ladies, as well as enlisting four judges to discuss each actress’ best and worst qualities. My personal favourite:
“Like many Scandinavians, Miss Garbo has a large frame. Undoubtedly, her bones weigh heavily. Already, as a matter of fact, her measurements exceed what generally is considered perfect for her height. Nevertheless, I am satisfied that Greta Garbo is an exception and that she would be far more beautiful, beautiful to the point of being glorious, if she were heavier. I see her as a goddess, a golden Juno.”
While body critique is certainly no stranger to the modern day, I have to applaud Photoplay’s take on it: rather than name-calling and headline-splashing, they chose to quote doctors and enforce the idea that “beauty is what it always has been and always will be, the result of health.”