Versace for H&M
This week, the Versace x H&M
lookbook was finally released. Thankfully, it did not disappoint in any way! The 50-piece collection
, skirts, leggings
, scarves, handbags, shoes, belts, menswear
, jewelry, and even homeware. Impressively, many of the prints, products and palettes seem to have been drawn almost straight from the archives
. Value for money, in my eyes!
That said, it isn’t going to translate as ‘value‘ if we go out and buy everything at once (…note to self). Above, I have compiled some of my favourite pieces that I believe will work both alltogether and also add something special to many outfits when separated. Characteristic Versace: on the cheap (I can’t wait)!
Paco Rabanne has not shown ready to wear since 2006. But damn, did those 5 years produce results.
As it was Manish Arora‘s first collection since taking over the brand, I will let him explain his Spring/Summer 2012 collection:
“The workmanship is similar [between my own work and Paco Rabanne’s work]. We like to work hard, we like to make dresses that take 25 people and 20 days to make and that’s the value of Paco Rabanne that I appreciate and that’s the common factor”.
While Manish has a real flair for sci-fi showmanship, he seemed to put his own agenda to the side and focus on the delicate relationship between revival and heritage. In homage to Paco Rabanne’s first collection in 1966 – “12 Unwearable Dresses” – Arora used the concept of dresses made from unconventional materials to show modern, bodycon, panelled chain mail dresses.
The show was fantastical. With models descending to the runway via escalator, the largest number of non-caucasian models in any Spring/Summer 2012 (a very welcome change) and a binge of innovation so turbulent you need a patch for it, Arora has hit yet another home run. View Post
In my head, where I have the design skills of a couturier and a fabric arsenal of my favourite stores in East London, I dream of collections like this.
Delivering demi-couture like only this label knows how, it was incredibly moving to – yet again – feel like Lee McQueen was holding the reigns of the design process. A testament to the absolute brilliance of Sarah Burton.
For her third solo collection for Alexander McQueen, the obsessive detailing was as powerful as ever. Breathtaking and haunting pieces (dresses, dresses everywhere) were modelled after the three G’s; Grès for the pleating and draping, Gaudí for the architecture, and Gaia for the oceanic infusion of shells and coral, in-garment.
That’s right, ma cherie, Burton was the translucent cherry on top in a fabulous run of oceanic collections for Spring/Summer 2012, aiming to have the MxQueen woman move “like a jellyfish moves in the sea”. I’ve been taken under. View Post
Mix a little bit of “The Devil Wears Prada” with a whole lot of “Wild Wild West“, sprinkles of Bollywood, a dash of technicolour, and you get the perfect Spring/Summer 2012 Thakoontini.
The excellent oddball Western aesthetic had nothing “hick” about it. With metallic finishes, cornflower blues, and Indian motifs, Thakoon Panichgul has created a stylist‘s multi-tiered dream. After his Fall/Winter 2011 collection mixed Versailles rococo with Kenya’s Masai tribe, the Thai designer seems to have found his niche in cross-cultural expression. The best thing about this creative continuity is that he has pulled off something wild without forgetting the “special little dresses” that brought his talent to light. It was a fabulously fearless and engaging showing. View Post
If Max and Lubov Azria had to make one thing for the rest of their lives, I would hope they’d opt for dresses. Even when they take a slight departure from glamour and head towards Sporty Town as they have for Spring/Summer 2012. The move from minimalism is finally here. As wearable as their designs were last season, the duo have done a great job pulling in the athletic chic; sheer panels, then hoodies, chiffon pleats, then drop-waists and low slung pockets. The balance was flirty and extremely contemporary with angled panels, spliced fabrics, and a casual feel that represented a loosening of the industry’s belts.
Transitioning from bra-like straps towards the end of the show, accessories such as wooden, bronze-embroidered platform print sandals and edgy envelope clutches seemed to resonate with the style sense of megafan (and front-row guest) Sophia Bush. There were definite hints of a tribal theme that I predict will be the major trend of Spring/Summer 2011. View Post