Jean Paul Gaultier
My love for French deisgner Jean Paul Gaultier sparked as soon as a tiny, one-digit-aged version of Lela London found out he invented the cone bra. That love grew exponentially after I read the following interview with Opening Ceremony. It is a must read, my dear.

On his pop hit from the Eighties- “How To Do That” (don’t worry, I’ve attached the video at the end!):
“I sold around 30,000 records – almost made it to the Top 50, but I think that was my last foray into the music business as a musician. I prefer to dress the stars.”

On his first impression of Madonna:
“The first time I saw Madonna was on Top of the Pops. She was singing “Holiday,” and she had a fabulous look. (I actually thought that she was English because she was so stylish.) She was into the same things that I was doing at the time, like crosses, oversized jewelry, and fishnets. The second time I saw her live was at the first MTV awards in New York at Radio City Music Hall. It must have been 1984. She sang “Like A Virgin” in a wedding dress and was simulating “self contentment” or “self satisfaction,” to put it euphemistically. The audience was mostly business people, who were horrified. There were just a few young fans–and me, who absolutely loved it. That is when I realized that she couldn’t care less what others thought of her, and I also saw how powerful she was.”

On the young Jean Paul Gaultier:
“I used to buy all the magazines, look at the collections, and then do my own. And if Dior or Cardin had 300 outfits, I would have 310. I even wrote my own reviews.”

On being an 18-year-old apprentice for Pierre Cardin:
“I learned about freedom from Mr. Cardin. There was an absolute freedom in his studio… He had assistants from all over the world — it was the first time I tried Japanese food with my colleagues from work. It was a great time, and it taught me that you have to have a free spirit to succeed.”

On the source of inspiration:
“Inspiration is never a problem; I usually have too much of it. I sometimes want to say too many things at once. Everything I see can inspire me: the cinema, theater, music.”

Don’t worry, I didn’t forget the video:

Dolce Gabbana Fall Winter 2011
Warning: another Eighties erruption at Dolce & Gabbana, and it was a star-studded affair. Literally. Like last season, show attendees were greeted with giant screens broadcasting via the backstage commotion, with barely-there peaks at the collection of ingénue actuality. There was a certain ‘he wore/she wore’ air – whether present on an androgynous beauty in menswear or the angled haute-ies in their epicine best. Lush, mega-monopolizing garments in any light. See the top five looks below! View Post

Mary Katrantzou LFW Runway
Mary Katrantzou‘s is a collection that I look forward to each season. This London Fashion Week, each of the dresses in this collection were made to encapsulate a sort of ‘hotel room atmosphere‘; open verandas and windows into an eighties-inspired pop art world. Shoulder pieces were actually structured using curtain-hanging pelmet techniques, and long, wicker-looking trains were pieced to resemble chair-backs at the Café de Flore.

Every garment had a way of putting my tongue to my cheek; necklaces featured parts of chandeliers, or, where there were none, dresses had chandeliers printed directly onto the neckline or staircases refracted to form a graphic-looking necklace. What an artist! View Post