Pier Paolo Piccioli and Maria Grazia Chiuri are quite the dream team. The Valentino designers took risks this season, utilising what some would consider to be far too many flowers and far too much lace and embroidery. In fact, it was – as Goldilocks said – just right.
Of the ultra-fresh collection, Piccioli said “fashion is a dream, and in this moment we need dreams”. Especially dreams for Hollywood’s greatest, who can find a year worth of red-carpet dresses in their Spring/Summer 2012 collection.
Inspirations came from Georgia O’Keeffe, Tina Modotti, and photographs by Deborah Turbeville, which inspired me in turn. I am lusting beyond belief. Valentino hand-painted florals and inset lace into paper-thin leather, for chrissakes. They even used it on a trench-coat! Faint. View Post
Yes. That is Florence Welch singing “What The Water Gave Me” in a half shell. (No-one ever claimed Karl Lagerfeld was a minimalist).
Playing with a palette that mimicked a sea-soaked set of pastels, Prospero…I mean Lagerfeld…opened Chanel Spring/Summer 2012 with the dark-haired beauty trifecta of Saskia de Brauw, Freja Beha Erichsen and Aymeline Valade.
This season, Uncle Karl was inspired by pieces that have been shaped at the bottom of the ocean by natural processes, taking millions of years to form. There were also about a million (or eighty) looks, combining new fabrics with pearls, lightness, and the lexicon of Chanel heritage. Mille-feuille and tweed for all the mermaids of the world!
Six decades in this business and he is still at the top. View Post
Riccardo Tisci is still atop his unshakeable pedestal. Though I risk sounding like a Sarah Jessica Parker movie by saying so…I don’t know how he does it.
Givenchy for Spring/Summer 2012 was incredible. As the show opened, Natalia Vodianova stepped out in a nude, sleveless, dropped-lapel jacket that demonstrated a merging of rigid tailoring and fluid movement that would encapsulate his entire collection.
Throughout the presentation there was a waterworld theme hinted softly in the craftsmanship. With his unparalleled skills, Tisci managed to create 3-d wave effects through tiers of ruffles. Genius. The embellishment of the season was seen in icy silver-blue sequins placed on one of his wave-like lapelled jackets with matching pants. The theme wasn’t overplayed, yet it penetrated every seam. That is what made the collection. View Post
With a controversial couture collection under his belt, Dior’s temporary stand-in for John Galliano – fashion designer Bill Gaytten – showed an excellent compendium of uncompromised quality for the label’s Spring/Summer 2012 collection.
Gaytten showed ‘wow’ pieces without a Galliano-type ‘wow’, and I think that is what truly made this special. By choosing a ‘safer’, more classic aesthetic, the tailoring and construction shone through and left us with countless options for future investment pieces. Expert draping, the creamiest gazar, classic bar jackets and much more. Check out Karlie Kloss in the finale look of sheer organza, if your wallet dares.
Christian Dior Spring/Summer 2012? A statement of romantic intellect and adaptation. View Post
Finally, THE THIRTIES!
Though the Spring/Summer collections have allocated a lot of efforts towards time travelling to the 20s, 50s, 70s and more, no one until Vionnet had worked with the 1930s.
Set in a mirrored salon on the Rue de Valois, designer Rodolfo Paglialunga took that chance. An almost-risk free chance, to be honest, as it was in fact Madeleine Vionnet who invented the Twenties-tastic bias cut.
There was a real motif of stars, flowers, and butterflies (who flew into the models’ hair, all-a-sequined) inspiring the elegant collection. There was even a goddess gown embroidered with the most carefully considered bumblebees. Rodolfo offered the most organic, marketable beauty of the season. View Post