You gotta swing your hips now
That’s right, you’re doing fine
Come on, baby
Jump up, Jump Back
– “The Locomotion”, Litta Eva
This skirt is one of those garments that forces you to dance. No apologies for the blur in these photos, my darlings. Christmas party-palooza!
What I Wore – handmade bodycon dress with exaggerated shoulders (let’s be honest…it’s a bit tight…I typically try to avoid hoisted my chest up to my chin), polka-dotted tiered skirt, and black tights.
I will say it for the rest of my life: no matter what direction he goes in, Manish Arora is a motherfreaking genius.
What do we all love Arora for? The theatrics. The fun. The playful transcendency. All of which are readily available for Spring/Summer 2012. Those, and a wholly intended introduction to slightly less wild, though just as incredible, ready to wear garments. All sharp, futuristic, and significantly witty. If someone can own a dégradé effect of black and white butterfly-wing sequins trailing into a feather-packed midi dress, they deserve abundant praise.
As for his design debut at Paco Rabanne in just a few days? He says “…that’s going to be a show“. Eep! View Post
Giorgio Armani certainly packed a punch with his Emporio collection this season. Titled “Neodesign“, his Spring/Summer 2012 showing was almost entirely composed of black and white. Verbally boring, but aesthetically captivating.
There was a brilliantly icy uniformity to the garments; usually white, often crystallized, and sometimes extra-striking against black piping or bright pastels. Silhouettes were otherworldly yet always flattering – it was incredibly obvious that construction was the name of the game. Strangley, the futuristic concepts did not date the clothes. In fact, the mindfulness of the current customer met with the Italian’s innovation produced a truly alluring collection. Brava. View Post
Mark Badgley and James Mischka would have to try pretty hard to let me down, and it seems they are only getting better. The structural side of things (brocade, shantung, linen, etc) played against their typical use of chiffon and jersey, while the garments were punctuated with bright lemon hues down to pomegranate and marigold.
I hate to say it in the palava that Galliano has put himself in, but there were definite flairs of recent-day Dior Haute Couture (if it were ever on a tighter budget, of course). If you wanted a sense of the show itself, I reccomend the track “Add Ends” by When Saints Go Machine, from the Spring/Summer 2012 soundtrack. Like Candyland on some classy medication. View Post
If Luca Luca‘s collection for spring/Summer 2012 was all I could wear this year, I don’t think I would ever be stuck with nothing to wear. With designs that compliment a woman’s curves and vibrant colours incorporated into classic pieces, this has to be one of the most well-rounded collections presented thus far. Key accessories included Ippolita jewellery and headpieces by Ellen Hunter, though the garments were strong enough to speak for themselves. Waist definition, as well as striking limes and blues, were shown in between whites, blacks, prints, jumpsuits, and asymmetrical dresses – yet everything still felt cohesive. Quite a feat. I could see Emmy Rossum or Emma Stone in any of Luca Luca’s looks. View Post