In my eyes, Twiggy was the original supermodel. Though she has obviously also earned fame as an actress and singer, Twiggy’s special long-lashed androgyny was one of the most iconic aesthetics of the Sixties. Few ‘supers’ achieve that sort of recognition. The difference between these rare vintage shots from California and modern-day Twiggy in a rather adorable video promoting her M&S collection (below) is mesmerizing.
I am absolutely head over heels in love with Bewitched. A Sixties child at heart, I remember being about six years old when I watched my first episode and making a firm commitment towards becoming Elizabeth Montgomery when I grew up.
We know how that turned out.
Regardless, Samantha Stephens and Darrin Stephens (both the gorgeous Dick York and gorgeous Dick Sargent) probably got more attention than my own parents as I grew up, and I am still as excited to watch episodes now as I was almost 20 years ago. A more-than-deserving subject of this week’s Best of Tumblr! (Yes! They’re back now that Fashion Week can’t be a timesuck!)
Louis Vuitton is the show that people will be talking about for years to come. Following an onslaught of rumours that Marc Jacobs would be jumping ship and heading to Christian Dior, the show seemed to act as a rebuttal in itself.
Pre-show, the runway area hid a circular structure by covering it in white curtain. When the show began, early (!!), the fashion crowd gasped in unison as the curtain dropped and revealed a full-size white carousel, where every model perched atop a horse.
One by one, each model hopped off the slow-turning carousel and walked the round runway in the sweetest of sixties-inspired styles; capped sleeves, full skirts, silk chambray, and an Easter Egg pastel palette. The embellishments were beautifully understated, with wishbones, feathers, daisies, and minute jingle bells with pearls inside.
In what is now a Marc Jacobs Trend, Kate Moss closed the show – sans cigarette and dominatrix garb of last season – wearing a white, sequined, feathered broderie anglaise dress.
When you put this much effort into a label, it is unlikely that you plan to leave it. Either that, or Jacobs is making one hell of a statement to prove his worth to new business partners. View Post
As a fashion stylist, there is some sort of unspoken rule that expects me to slate celebrity stylist Rachel Zoe. But…whatever…I love her. Writing about her Spring/Summer 2012 line was a given, and I am overly impressed with the consistency and transitional nature of her clothing line. In the words of my beloved Anna Dello Russo, “It’s really, like, L.A. — an L.A. collection but done in an international way.”
This season, Zoe was inspired by many things including Brigitte Bardot, the late sixties, early seventies, running around the south of France, and a nonchalant attitude that was reflected in her uncharacteristic showing of Springtime ballet flats.
Mixing stark white looks with mis-matched prints kept well-designed pieces effortlessly glam. Everyone loved it. The line to actually view the collection wrapped around 39th St to Broadway, even though the presentation was invitation only. This woman has a magic touch. View Post
Peter Som showed a kaleidoscope of colour and playfulness for his Spring/Summer 2012 collection. The spectrum was gorgeous; shocking fucshia, khakis, tantalizing tangerines, and cobalt hues danced around strong patterns and florals. Watching models walk brightly down the runway to “Heart Is a Beating Drum” by The Kills and “Face in the Crowd” by Cat’s Eyes, not a second of the show left me dissatisfied. With the risk of a truly floral collection becoming overly girly, Som used sixties mod shapes with an optimistic edge. I would wear everything. View Post